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Drawing a big picture for Korea¡¯s future publishing industry, À̱⼺, ´ëÇѹα¹ ÃâÆÇ »ê¾÷ÀÇ ¹Ì·¡¸¦ ±×¸®´Ù ÀÎÅͺä
°ü¸®ÀÚ  2021-02-10 15:55:59, Á¶È¸ : 34, Ãßõ : 16

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Drawing a big picture for Korea¡¯s future publishing industry À̱⼺ ÀÎÅͺä -Á¤ÀçÇå ±âÀÚ ÆÄ¿öÄÚ¸®¾Æ

°ü¸®ÀÚ         2017-08-22 15:01:39, Á¶È¸ : 2,657, Ãßõ : 619

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Interview
Drawing a big picture for Korea¡¯s future publishing industry


Lee pushes forward development of e-book publishing platforms
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À̽¿±, ÀüÀÚ Ã¥ ÃâÆÇ Ç÷§Æû °³¹ß

ÃßÁø Çѱ¹ ÃâÆÇ »ê¾÷ ÁøÈï¿ø (KPIPA)ÀÌ 2012 ³â 7 ¿ù Ãâ¹üÇß´Ù. ÀÎ¼â ¹× ¹èÆ÷¿¡¼­ ¼­Á¡ °ü¸® ¹× ÃâÆÇ ±³À°¿¡ À̸£±â±îÁö ±¤¹üÀ§ÇÑ µµ¼­ ÃâÆÇ Áö¿øÀ» ¼öÇàÇÏ´Â °ø°ø ±â°ü.
¡°KPIPA´Â »ê¾÷ Ȱ¼ºÈ­¸¦ À§ÇØ ´Ù¾çÇÑ µµ¼­ ÃâÆÇ Áö¿ø »ç¾÷À» ÁøÇàÇϰí ÀÖ½À´Ï´Ù. ±Þº¯ÇÏ´Â Æ®·»µå¸¦ ¹Ý¿µÇϰí, ±â¼úÀ» °­È­Çϰí, ¾÷°è Àü¹®°¡¸¦ À°¼ºÇϰí, Çö ÃâÆÇ ½Ã½ºÅÛÀ» °³¼±ÇÕ´Ï´Ù.¡±Áö³­ 2 ¿ù KPIPA¸¦ ÃѰý ÇÑ À̱⼺ »çÀåÀº ¸»Çß´Ù.

KPIPAÀÇ 'ÃâÆÇ »ê¾÷ ÁøÈï 5 °³³â °èȹ'Àº ÃâÆÇ¿¡ ´ëÇÑ ½ÃÀå ¼ö¿ä¿Í ¼öÃâ·®À» ÃËÁøÇÏ´Â µ¥ ÁßÁ¡À»µÎ°íÀÖ´Ù. ÀÌ ¾¾´Â¡°¾Æ³¯·Î±× + µðÁöÅÐ '¾Æ³ª Å»'À̶ó´Â ¿ë¾î°¡ Çѱ¹ ÃâÆÇ »ê¾÷ÀÇ Áö³­ 20 ³âÀ» ´ëÇ¥ÇÑ´Ù¸é AI, AR, VR, IoT ±â¼úÀ» °áÇÕÇÑ 'Mixed Media'´Â ¹Ì·¡ ÃâÆÇÀ» ´ëÇ¥ÇÏ´Â ¿ë¾î°¡ µÉ °ÍÀ̶ó°í ¼³¸íÇß´Ù. »ê¾÷. Áï, 'Ã¥'Àº 2 Â÷¿ø Ç¥¸é¿¡¼­ ºüÁ® ³ª¿Í ´Ù°¡¿À´Â ½Ã´ë¿¡ 3 Â÷¿ø °ø°£¿¡¼­ ÀÐÀ» °Í¡±À̶ó°í ¸»Çß´Ù.

ÀÌ·¯ÇÑ È¿°úÀÇ ÀÏȯÀ¸·Î KPIPA´Â Çѱ¹ ȯ°æ¿¡ ÀûÇÕÇÑ ÀüÀÚ Ã¥ ÃâÆÇ Ç÷§Æû °³¹ßÀ» ÃßÁøÇϰí ÀÖ½À´Ï´Ù. ÀÌ »çÀåÀº Ç÷§ÆûÀÌ ÀüÀÚ ÃâÆÇÀÇ »õ·Î¿î ±âÁØÀ» Á¦½ÃÇÏ°í ½ÃÀåÀ» Ȱ¼ºÈ­ ÇÒ °ÍÀ¸·Î ±â´ëÇϰíÀÖ´Ù.

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Interview
Drawing a big picture for Korea¡¯s future publishing industry


Lee pushes forward development of e-book publishing platforms

The Publication Industry Promotion Agency of Korea(KPIPA) set sail in July 2012. The KPIPA is a public agency that carries out wide ranges of book publication support from printing and distribution to book store management and publication training.
¡°The KPIPA is carrying various book publishing support projects in order to promote the industry. We reflect the fast changing trend, strengthen technology, foster industry specialists and improve the current publishing system¡± says president Lee Ki-sung who took the helm of the KPIPA last February.

The KPIPA¡¯s ¡®Five Year Plan for Publishing Industry Promotion¡¯ focuses on promotion of the market demand for publication and its export volume. Lee explains ¡°If the term ¡®Anatal¡¯ - analogue + digital – represents the last 20 years of the Korea¡¯s publishing industry, ¡®Mixed Media¡¯, which combine AI, AR, VR and IoT technologies, will be the term to represent the future publishing industry. In other words, ¡®books¡¯ will get out of the 2 dimensional surfaces to be read in 3 dimensional spaces in the coming age¡±.

As part of this effect, the KPIPA is pushing forward develeolpment of e-book publishing platforms that suit Korean environment. The president Lee is expecting that the platforms will suggest new standards for e-publishing and will activate the market.

¡°Most e-book publishing software used in Korea is developed overseas. It means that the users have to pay heavy royalty or the fees for using the contents and it especially affects badly to small and medium publishers. So it is necessary for a public agency like us to develop and supply our own software.¡±

The software will be loaded with AI, AR, VR and IoT technologies and will be compatible with video and photo images and music. Also, the software will be provided to the industry for free. One of the developments, for example, is ¡®e-book Korean fonts¡¯.

Laying the foundation for Korean e-book industry
It is important to use unified typefaces in publishing industry especially for legibility and easy flow of print. And this importance is no different in the coming age of e-book. It is notable that many people pointed out ¡®bad legibility¡¯ (28%) as a big drawback of reading e-book according to a recent survey. Another problem is that the Korean fonts used in e-book are monopolized by a certain supplier group which makes it hard to be compatible with other viewing platforms. So the KPIPA is not only focusing on development of modern Korean fonts but also the fonts that can realize old Korean¡¯s.

Lee is an old hand this field whose experience and knowhow have continued for the last 53 years. His father Lee Dae-ui is CEO of Jangwang Publishing established in 1945 to have grown to be a renowned textbook publisher. Naturally, Lee started to engage himself in his father¡¯s business in 1964 when he was a first year university student. Under his father instructions, Lee learned throughly all necessary skills required in publishing industry in consistency. In 1988, he started to give lecture on publishing at Shingu College and on e-publishing at Dongguk University and it lasted 28 years until he retire in 2015.

In 1989, Lee succeeded transmitting 11,172 Korean alphabets to Australia through a communication line in cooperation with computer and Korean language experts. It is not necessary to mention how impotant the role of Korean alphabets online that contributed to raising Korea as an IT powerhouse in the world today.

Meanwhile, Lee has made his effort in spreading reading culture. He raised the status of ¡®Reading Promotion Team¡¯ to ¡®Reading Promotion Headquarters¡¯ June last year and organize a number of programs and events such as ¡®Youth Book Talk¡¯, ¡®Humanities Reading Art Camp¡¯, ¡®Korea Reading Festival¡¯, ¡®Humanities Reading Academy¡¯ and ¡®Reading Wind Train¡¯. In recognition of his contribution, he received a presidential citation last April. Currently, Lee is planning to introduce ¡®Publishing School¡¯ offering both degree and master courses in publishing through which he hopes to foster talented industry specialists who can respond to the coming age of ¡®Mixed Media¡¯.

¡°The projects of the KPIPA are backed up by the Ministry of Culture, Sports and Tourism and other government institutions. The KPIPA also has built a good cooperative system with related private organizations to enhance cultural industry in Korea. However, I¡¯m a little bit worried whether the change of government policies might affect our ¡®Five Year Plan for Publishing Industry Promotion¡±.

Lee added ¡°I think that books are one of important growth engines of a nation. So I ask the government, the industry and the people to show interest and to give us a support¡±.

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Interview
Drawing a big picture for Korea¡¯s future publishing industry
Drawing a big picture for Korea¡¯s future publishing industry À̱⼺ ÀÎÅͺä -Á¤ÀçÇå ±âÀÚ ÆÄ¿öÄÚ¸®¾Æ

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Çѱ¹ ÃâÆÇ »ê¾÷ ÁøÈï¿ø (KPIPA)Àº 2012 ³â 7 ¿ù Ãâ¹üÇß½À´Ï´Ù. KPIPA´Â ÀÎ¼â ¹× ¹èÆ÷¿¡¼­ ¼­Á¡ °ü¸® ¹× ÃâÆÇ ±³À°¿¡ À̸£±â±îÁö ´Ù¾çÇÑ µµ¼­ ÃâÆÇ Áö¿øÀ» ¼öÇàÇÏ´Â °ø°ø ±â°üÀÔ´Ï´Ù.
¡°KPIPA´Â »ê¾÷ Ȱ¼ºÈ­¸¦ À§ÇØ ´Ù¾çÇÑ µµ¼­ ÃâÆÇ Áö¿ø »ç¾÷À» ÁøÇàÇϰí ÀÖ½À´Ï´Ù. ±Þº¯ÇÏ´Â Æ®·»µå¸¦ ¹Ý¿µÇϰí, ±â¼úÀ» °­È­Çϰí, ¾÷°è Àü¹®°¡¸¦ À°¼ºÇϰí, Çö ÃâÆÇ ½Ã½ºÅÛÀ» °³¼±ÇÕ´Ï´Ù.¡±Áö³­ 2 ¿ù KPIPA¸¦ ÃѰý ÇÑ À̱⼺ »çÀåÀº ¸»Çß´Ù.

KPIPAÀÇ 'ÃâÆÇ »ê¾÷ ÁøÈï 5 °³³â °èȹ'Àº ÃâÆÇ¿¡ ´ëÇÑ ½ÃÀå ¼ö¿ä¿Í ¼öÃâ·®À» ÃËÁøÇÏ´Â µ¥ ÁßÁ¡À»µÎ°íÀÖ´Ù. ÀÌ ¾¾´Â¡°¾Æ³¯·Î±× + µðÁöÅÐ '¾Æ³ª Å»'À̶ó´Â ¿ë¾î°¡ Çѱ¹ ÃâÆÇ »ê¾÷ÀÇ Áö³­ 20 ³âÀ» ´ëÇ¥ÇÑ´Ù¸é AI, AR, VR, IoT ±â¼úÀ» °áÇÕÇÑ 'Mixed Media'´Â ¹Ì·¡ ÃâÆÇÀ» ´ëÇ¥ÇÏ´Â ¿ë¾î°¡ µÉ °ÍÀ̶ó°í ¼³¸íÇß´Ù. »ê¾÷. Áï, 'Ã¥'Àº 2 Â÷¿ø Ç¥¸é¿¡¼­ ºüÁ® ³ª¿Í ´Ù°¡¿À´Â ½Ã´ë¿¡ 3 Â÷¿ø °ø°£¿¡¼­ ÀÐÀ» °Í¡±À̶ó°í ¸»Çß´Ù.

ÀÌ·¯ÇÑ È¿°úÀÇ ÀÏȯÀ¸·Î KPIPA´Â Çѱ¹ ȯ°æ¿¡ ÀûÇÕÇÑ ÀüÀÚ Ã¥ ÃâÆÇ Ç÷§Æû °³¹ßÀ» ÃßÁøÇϰí ÀÖ½À´Ï´Ù. ÀÌ »çÀåÀº Ç÷§ÆûÀÌ ÀüÀÚ ÃâÆÇÀÇ »õ·Î¿î ±âÁØÀ» Á¦½ÃÇÏ°í ½ÃÀåÀ» Ȱ¼ºÈ­ ÇÒ °ÍÀ¸·Î ±â´ëÇϰíÀÖ´Ù.

¡°Çѱ¹¿¡¼­ »ç¿ëµÇ´Â ´ëºÎºÐÀÇ ÀüÀÚ Ã¥ ÃâÆÇ ¼ÒÇÁÆ®¿þ¾î´Â ÇØ¿Ü¿¡¼­ °³¹ßµÇ¾ú½À´Ï´Ù. ÀÌ´Â »ç¿ëÀÚ°¡ ÄÜÅÙÃ÷ »ç¿ë¿¡ ´ëÇØ °í¾×ÀÇ ·Î¿­Æ¼ ³ª »ç¿ë·á¸¦ ÁöºÒÇØ¾ßÇÑ´Ù´Â °ÍÀ» ÀǹÌÇÏ¸ç Æ¯È÷ Áß¼Ò ÆÛºí¸®¼Å¿¡°Ô ¾Ç¿µÇâÀ» ¹ÌĨ´Ï´Ù. µû¶ó¼­ ¿ì¸®¿Í °°Àº °ø°ø ±â°üÀÌ ÀÚü ¼ÒÇÁÆ®¿þ¾î¸¦ °³¹ßÇÏ°í °ø±ÞÇØ¾ßÇÕ´Ï´Ù.¡±

ÀÌ ¼ÒÇÁÆ®¿þ¾î¿¡´Â AI, AR, VR ¹× IoT ±â¼úÀÌ Å¾ÀçµÇ¸ç ºñµð¿À ¹× »çÁø À̹ÌÁö ¹× À½¾Ç°ú ȣȯµË´Ï´Ù. ¶ÇÇÑ ¼ÒÇÁÆ®¿þ¾î´Â ¾÷°è¿¡ ¹«·á·Î Á¦°øµË´Ï´Ù. ¿¹¸¦ µé¾î, 'e-book ÇÑ±Û ±Û²Ã'ÀÌ °³¹ßµÇ¾ú½À´Ï´Ù.

Çѱ¹ ÀüÀÚ Ã¥ »ê¾÷ÀÇ ±â¹Ý ¸¶·Ã
ƯÈ÷ °¡µ¶¼º°ú ½¬¿î Àμâ È帧À» À§ÇØ ÃâÆÇ ¾÷°è¿¡¼­ ÅëÀÏ µÈ ¼­Ã¼¸¦ »ç¿ëÇÏ´Â °ÍÀÌ Áß¿äÇÕ´Ï´Ù. ±×¸®°íÀÌ Á߿伺Àº ´Ù°¡¿À´Â ÀüÀÚ Ã¥ ½Ã´ë¿¡µµ ´Ù¸£Áö ¾Ê½À´Ï´Ù. ÃÖ±Ù ¼³¹® Á¶»ç¿¡ µû¸£¸é ¸¹Àº »ç¶÷µéÀÌ ÀüÀÚ Ã¥ ÀбâÀÇ Å« ´ÜÁ¡À¸·Î '³ª»Û °¡µ¶¼º'(28 %)À» ÁöÀûÇÑ °ÍÀ¸·Î ³ªÅ¸³µ½À´Ï´Ù. ¶Ç ´Ù¸¥ ¹®Á¦´Â ÀüÀÚ Ã¥¿¡ »ç¿ëµÇ´Â ÇÑ±Û ÆùÆ®°¡ ƯÁ¤ °ø±Þ ¾÷ü ±×·ì¿¡ µ¶Á¡µÇ¾îÀÖ¾î ´Ù¸¥ ½Ãû Ç÷§Æû°úÀÇ È£È¯¼ºÀÌ ¾î·Æ´Ù´Â Á¡ÀÔ´Ï´Ù. µû¶ó¼­ KPIPA´Â Çö´ë ÇÑ±Û ±Û²Ã °³¹ß»Ó¸¸ ¾Æ´Ï¶ó ¿¾ ÇÑ±Û ±Û²ÃÀ» ±¸ÇöÇÒ ¼öÀÖ´Â ±Û²Ã °³¹ß¿¡µµ ÁÖ·ÂÇϰí ÀÖ½À´Ï´Ù.

Lee´Â Áö³­ 53 ³â µ¿¾È °æÇè°ú ³ëÇϿ츦 À̾î¿ÂÀÌ ºÐ¾ßÀÇ ³ë·ÃÇÑ Àι°ÀÔ´Ï´Ù. ±×ÀÇ ºÎÄ£ ÀÌ´ëÀÇ´Â 1945 ³â ¼³¸³ µÈ À層 ÃâÆÇ»çÀÇ ´ëÇ¥ ÀÌ»ç·Î À¯¸íÇÑ ±³°ú¼­ ÃâÆÇ»ç·Î ¼ºÀåÇß´Ù. ´ç¿¬È÷ À̾¾´Â ´ëÇлý 1 Çг⠶§ 1964 ³â ¾Æ¹öÁöÀÇ »ç¾÷À» ½ÃÀÛÇß´Ù. ¾Æ¹öÁöÀÇ Áö½Ã¿¡ µû¶ó ÃâÆÇ ¾÷°è¿¡ ÇÊ¿äÇÑ ¸ðµç ±â¼úÀ» ÀϰüµÇ°Ô ¹è¿ü´Ù. 1988 ³â ½Å±¸ ´ëÇÐ ÃâÆÇ°ú µ¿±¹´ë Çб³ ÀüÀÚ ÃâÆÇ °­¿¬À» ½ÃÀÛÇØ 2015 ³â ÀºÅð ÇÒ ¶§±îÁö 28 ³â°£ Áö¼ÓµÆ´Ù.

À̾¾´Â 1989 ³â ÄÄÇ»ÅÍ ¹× Çѱ¹¾î Àü¹®°¡¿Í Çù·ÂÇÏ¿© Åë½Å¼±À» ÅëÇØ ÇÑ±Û 11,172 °³¸¦ È£ÁÖ¿¡ Àü¼ÛÇÏ´Â µ¥ ¼º°øÇß´Ù. ¿À´Ã³¯ ¼¼°è IT °­±¹À¸·Î Çѱ¹À» Ű¿ì´Â µ¥ ±â¿©ÇÑ ¿Â¶óÀÎ ÇѱÛÀÇ ¿ªÇÒÀÌ ¾ó¸¶³ª Áß¿äÇÑÁö ¾ð±Þ ÇÒ ÇÊ¿ä´Â ¾ø½À´Ï´Ù.

ÇÑÆí À̾¾´Â µ¶¼­ ¹®È­ È®»êÀ» À§ÇØ ³ë·ÂÇß´Ù. Áö³­ÇØ 6 ¿ù 'µ¶¼­ ÁøÈï º»ºÎ'·Î 'µ¶¼­ ÁøÈïÆÀ'ÀÇ ÁöÀ§¸¦ ³ôÀ̰í 'û³â µµ¼­ Åå', 'Àι® µ¶¼­ ¾ÆÆ® Ä·ÇÁ', 'Çѱ¹ µ¶¼­ ÃàÁ¦', 'Àι®ÇÐ'µî ´Ù¾çÇÑ ÇÁ·Î±×·¥°ú Çà»ç¸¦ Á¶Á÷Çß´Ù. Reading Academy '¿Í'Reading Wind Train '. °ø·Î¸¦ ÀÎÁ¤ ¹Þ¾Æ Áö³­ÇØ 4 ¿ù ´ëÅë·É ǥâÀ» ¹Þ¾Ò´Ù. ÇöÀç À̾¾´Â ´Ù°¡¿À´Â '¸ÖƼ¹Ìµð¾î'½Ã´ë¿¡ ´ëÀÀÇÒ ¼öÀÖ´Â Àç´ÉÀÖ´Â ¾÷°è Àü¹®°¡ ¾ç¼ºÀ» Èñ¸ÁÇÏ´Â ÃâÆÇÇÐ ¼®»ç °úÁ¤°ú ÇÐÀ§ °úÁ¤À» ¸ðµÎ Á¦°øÇÏ´Â 'ÃâÆÇ Çб³'¸¦ ¼Ò°³ ÇÒ °èȹÀÌ´Ù.

¡°KPIPAÀÇ ÇÁ·ÎÁ§Æ®´Â ¹®È­ üÀ° °ü±¤ºÎ¿Í ±âŸ Á¤ºÎ ±â°ü¿¡ ÀÇÇØ µÞ¹ÞħµË´Ï´Ù. KPIPA´Â ¶ÇÇÑ Çѱ¹ÀÇ ¹®È­ »ê¾÷À» Çâ»ó½Ã۱â À§ÇØ °ü·Ã ¹Î°£ ±â°ü°ú ÁÁÀº Çù·Â ½Ã½ºÅÛÀ» ±¸ÃàÇß½À´Ï´Ù. ÇÏÁö¸¸ Á¤ºÎ Á¤Ã¥ÀÇ º¯È­°¡ 'ÃâÆÇ »ê¾÷ À°¼º 5 °³³â °èȹ'¿¡ ¿µÇâÀ» ¹ÌÄ¥Áö Á¶±Ý °ÆÁ¤µË´Ï´Ù.

À̾¾´Â¡°Ã¥Àº ±¹°¡ÀÇ Áß¿äÇÑ ¼ºÀå µ¿·Â Áß Çϳª¶ó°í »ý°¢ÇÑ´Ù. ±×·¡¼­ Á¤ºÎ¿Í ¾÷°è, ±¹¹Î ¿©·¯ºÐ ²² ¸¹Àº °ü½É°ú ÀÀ¿ø ºÎʵ右´Ï´Ù.¡±

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Interview
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